webcampana.blogg.se - Eventide h910 harmonizer usage

Modify pitch by musical intervals (diatonic) to harmonize vocals or solo instruments.

Optional “glitching” of original H910 hardware to create unpredictable sounds as it alters pitch.

Anti-Feedback modulates the pitch around unity for a subtle or wild effect.

Perform perfect pitch changes controlled manually, via MIDI or with Anti-Feedback.

True analog modeling of highly nonlinear electronics for faithful reproduction of the original H910’s juiciness and grit.

NEW OUT2 Delay Group – adds inspiring attributes to your sound.

The built-in envelope follower makes exploring these possibilities easy.

NEW Envelope Follower -Engineers and producers discovered that sending a control voltage to the hardware H910 could be used to slightly (or massively) vary the pitch, creating entirely new sounds.

With the H910 plug-in, you can easily use MIDI to control pitch and harmonization in real-time.

NEW Keyboard and MIDI mapping – The original H910 featured a keyboard remote control which was used live by several artists including Elton John.I haven't used the Unison preamps much but I am happy to add a little favour on the way in as I do with hardware.Įither way, heavy processing I'd still avoid recording or else take a clean channel in parallel. Most of the plugs I use are low enough latency to be able to run live. Plugin wise I'm not so use to burning in to the recording. I generally add a bit of compression and maybe EQ on the way in via hardware. My attempt it to choose the sounds and timbres as we go, the voicing, arrangement and sonically add some spice and trim some fat. Personally I like to get the record coming along. The ethos is still good for today but we all know the advantages of digital too and being able to change something after the fact when clearly one got a little exited with turning the knobs! I come from the old school of limited resources and committing to tape. If you track all clean and say you'll "decide" later, then how can the previous part inspire the next part if its mojo isn't there? And then the next overdub is a reaction to the previous one.

It's a workflow that is partly responsible for the way all those older records we all love sound, namely get part of (if not all) of the sonics on the way in and while the artist can be inspired by it and react to it. Tracking through their Unison preamps is a MAJOR draw to their system that cannot be done natively.